Past Concerts featured Brittany and Johnny on June 9, and Murphy, Rideout and Middaugh on July 14. This issue features two remarkable women in folk music. An article by Ross Altman: What’re You Rebelling Against, Malvina?; and a review of a new book: Peggy Seeger – A Life of Music, Love, and Politics. The Upcoming concert at the Couth Buzzard will feature Stanley and Kip Greenthal on Sept. 8; there will be no concert in Aug. Every 2nd Saturday at the Couth Buzzard from noon – 1:30 pm, Stew’s Folk Music Corner will feature tunes, songs, and community singing. The Events page lists some great concerts through the next few months. Keep tuned and revisit the NW HOOT as new articles may appear along with a new video of the week. We are still looking for more writers for the NW HOOT (send us your ideas and articles). Donations – Help support the Pacific NW Folklore Society. Donations of any amount are welcome – for $20 or more we will send you a free CD: “Songs of the Pacific Northwest“, or “Paddy Graber – The Craic Was Great“. Send a check to Pacific NW Folklore Society, 11720 1st Ave NW, Seattle, WA 98177. Thank you.
Reprinted with permission from FolkWorks March-April 2017
Mildred: What’re you rebelling against, Johnny?
Johnny: Whaddya got?
~ Marlon Brando in “The Wild One”, 1953
Marlon Brando’s reply to Mildred’s question suits Malvina Reynolds to a T: but unlike Johnny in The Wild One, Singer-songwriter Malvina Reynolds (August 23, 1900—March 17, 1978) was a learned rebel. She got her Ph.D. the old-fashioned way—she earned it, in the UC Berkeley English Department in 1938. She never used it to teach, however, because her first act of rebellion was to refuse to sign the California loyalty oath when she was accepted for a teaching position at Berkeley. Faced with Robert Frost’s life-changing choice at the fork in the road she took the one less travelled by—“of whom it could be said: She was an artist, and a red.” (MR) Continue reading “What’re You Rebelling Against, Malvina? by Ross Altman, Ph.D.”
Born into folk music’s first family, Peggy Seeger has blazed her own trail artistically and personally. Jean Freedman draws on a wealth of research and conversations with Seeger to tell the life story of one of music’s most charismatic performers and tireless advocates. Here is the story of Seeger’s multifaceted career, from her youth to her pivotal role in the American and British folk revivals, from her instrumental virtuosity to her tireless work on behalf of environmental and feminist causes, from wry reflections on the U.K. folk scene to decades as a songwriter. Freedman also delves into Seeger’s fruitful partnership with Ewan MacColl and a multitude of contributions which include creating the renowned Festivals of Fools, founding Blackthorne Records, masterminding the legendary Radio Ballads documentaries, and mentoring performers in the often-fraught atmosphere of The Critics Group. Bracingly candid and as passionate as its subject, Peggy Seeger, A Life of Music, Love and Politics is the one and only full-length biography of a life set to music. Peggy Seeger Biography
Read a review of this book by Ross Altman, PhD
Continue reading “Peggy Seeger – A Life of Music, Love, and Politics, by Jean R. Freedman (2017)”
There is one name that is not well known in the history of the folksong revival beginning in the late 1940s and 1950s. Paul Clayton was a folk music scholar, a collector and field recorder of traditional folksongs primarily from Appalachia and New England, and America’s most-recorded young folksinger – some 17 albums between 1954 and 1961, mostly traditional folk songs and later commercial recordings – bringing hundreds of obscure folk ballads and songs into the American folk music scene. He was a mentor to David Van Ronk, Bob Dylan, and other emerging folksingers of that era, but became eclipsed in the emerging commercial folk scene of the 1960s. He was a genius with many talents, but also many demons that led to his tragic death in 1967 at the age of 36. Continue reading “Paul Clayton – Unsung Hero of the Early Folksong Revival, by Stewart Hendrickson”
As the 46th Annual Northwest Folklife Festival gets ready for a new run this Memorial Day weekend it is interesting to look back to its beginning in 1972. Today with a budget of $1.3 million and over 5,000 artists performing on 25 stages it’s hard to realize that this festival had a very humble beginning. From some early Journals from the Seattle Folklore Society we can appreciate its roots and history. Continue reading “The First NW Folklife Festival – 1972 – A Modest Beginning, by Stewart Hendrickson”
Note: A continuing look at Seattle folksingers of the past. Reprinted with permission from the Victory Review, August, 2006, p. 18.
When we think about influences in the area of folk singing, we most often think of celebrities who’ve enjoyed a long-standing national audience. We hear our peers refer to the first time they heard a Pete Seeger recording, the first time they saw Utah Phillips on stage or some political documentary or news story w/Joan Baez singing and they were off and running: Soaking up songs, attending open mics and eventually bestowing upon us their literary/musical creation. This is all well and good, but it only takes one so far. To make genuine progress on this path, we need local and personal influences who demonstrate the viability of folk music and culture as a functional part of life on the physical/visible plane in our community. This is where someone like Stan James comes in. Continue reading “Stan James (1935-2008) Legendary Seattle Folksinger, by Percy Hilo”
Some years ago I was given an old fiddle by a friend. It was his mother’s violin, but it had a sad and traumatic history. His mother was not always sane and used the instrument to punish and put fear into her children. It was painful for my friend to even talk about this, and he wanted to be free of it, but also give it to someone who might love it and bring new life back into it. Continue reading “Soul of a Fiddle, by Stewart Hendrickson”
According to legend, coffee was discovered in Ethiopia in the ninth century, first roasted, ground, and brewed by the Turks, then brought to Europe by Venetian traders. Coffee quickly spread throughout Europe and the first coffeehouse in England opened around 1650. Coffeehouses became known as “penny universities” because one could get a fairly good education sitting with a cup of coffee (a penny a cup) and listening to learned men as they discussed matters of great import. Not many years later, coffeehouses opened in Boston and Philadelphia, and were frequented by artists, poets, philosophers, and revolutionaries—like Benjamin Franklin and Thomas Paine. Continue reading “Seattle Coffeehouses during the “Folk Revival” of the 1960s, by Don Firth”
SEATTLE COFFEEHOUSE LIVE!
In March, 2008, the Pacific NW Folklore Society began a monthly series of Coffeehouse Concerts starting at the Kaffee Shachor in Green Lake, then the Library Cafe on Crown Hill, and then the Wayward Coffeehouse in Greenwood from October, 2008 through April, 2010. In May, 2010 we moved to Couth Buzzard Books/Espresso Buono, also in Greenwood, for our concerts every 2nd Friday of the month. All tracks on this CD were recorded live at the Wayward Coffeehouse (cover photo), except # 7 and 16 at Couth Buzzard Books. All the performers were local musicians: Ginny Reilly, Alice Stuart, Down The Road, JW McClure, Smalltime String Band, Squirrel Butter, Jerry Middaugh & Orville Murphy, Eliza Manoff & Kim Ruehl, Val & Mike James, Michael Guthrie, Sarah Comer, Canote Brothers, Dan Carolla, Carolyn Cruso, Jillian Graham, Hank Payne & Claire Favro. Pull up a comfortable chair, turn the lights down low, relax with a cup of coffee, glass of wine or a beer, close your eyes, imagine you’re in your favorite coffeehouse, and enjoy this 70-min. concert – play all tracks (streaming mp3 files). The following is a list of individual tracks with more information: Continue reading “Seattle Coffeehouse Live! Pacific NW Folklore Society “Virtual CD””
“A bunch of us, including Walt Robertson, got together in late 1952 or early 1953 and formed the Pacific Northwest Folklore Society. The fate of the organization is described below,”
Personal Reminiscences, Don Firth (1931-2015).1954 – Pete Seeger in Seattle and the Fate
of the Pacific Northwest Folklore Society
In fall of 1954 a major folk music event took place in Seattle. For the Pacific Northwest Folklore Society it proved to be more than a major event. Pete Seeger came to Seattle to give a concert. Under the aegis of the Folklore Society, Walt Robertson made the necessary arrangements and obtained the use of the basement auditorium of Wesley House, where several earlier Folklore Society events had been held. Continue reading “Spirit of the Times, by Don Firth”